Bruce Ellman has designed hundreds of plays during his more then 25-year sound design career including the world and/or New York premiere productions of Charles Busch's The Tale of the Allergist's Wife (Broadway), Alan Ayckbourn's Comic Potential (Drama Desk nomination), House/Garden, as well as the Broadway revival of Ayckbourn's Absurd Person Singular, John Patrick Shanley's Four Dogs and a Bone and Beggars in the House of Plenty, David Ive's Polish Joke, David Lindsey Abaire's Fuddy Meers and Kimberly Akimbo, Mark Hampton's Full Gallop, Jeffrey Hatcher's Three Viewings, Arthur Laurent's The Radical Mystique, Velina Hasu Huston's Tea, Richard Greenburg's The Bloodletters, Life Under Water, The Author's Voice, and Jenny Keeps Talking, Charlayne Woodard's Pretty Fire, Kenneth Lonergan's The Waverly Gallery, Becky Mode's Fully Committed (L.A. Drama Critics Circle nomination), John Lequizamo's Mambo Mouth, Douglas McGrath's Political Animal, A.R. Gurney's The Old Boy, Bo Eason's Runt of the Litter, and Michael Brady's To Gillian on Her 37th Birthday. Mr. Ellman earned his BA at CCNY and is a sound design member of local USA829.